She was educated at the Bedford Girls' Modern School (now known as the Dame Alice Harpur School) in Bedford. While she was academically unimpressive, she showed a precocious talent for needlework, claiming to have been able to knit, embroider, and sew by the age of six.
At the age of seventeen, she left school and went to work at an electoral registration office at Bedford Town Hall. She then moved to London, where she worked briefly in a solicitor's office before taking a stockroom job at Liberty & Co in 1950. She worked her way upwards to selling over the counter, and then despite her lack of formal art college training, was given the opportunity to sketch in Liberty's ready to wear department. This would serve as her apprenticeship, and led to her gaining a job as designer for Jaeger in 1956.While there, she helped develop the Young Jaeger fashion label.
In 1964, Jean Muir won the first of her three Dress Of The Year awards for a Jane & Jane dress in printed Liberty silk, which is preserved as part of the Dress Of The Year collection at the Fashion Museum, Bath.
From the outset, Muir's designs demonstrated the pared-down understatement and easy fit that would become her design signature. Jane & Jane was one of the first companies to bring couture standards and quality to the wholesale fashion industry.Muir used Liberty textiles in many of her designs.
After Muir left in 1966 to launch Jean Muir Ltd., the Jane & Jane brand was sold to the ready-to-wear fashion house Susan Small, where it continued for several years before quietly disappearing circa 1970.
The designs continued the tradition established at Jane & Jane. Muir used the best quality fabrics, working in silk, cashmere, jersey and crepe, with a focus on form and fluidity. She made coats and jackets from soft leather and supple suede. Muir rarely used printed textiles, and avoided unnecessary decoration. Where she used decoration, it was integral to the garment, such as pintucking, decorative but functional buttons or rows of parallel topstitching on cuffs or collars for reinforcement. During the 1980s, Muir sometimes decorated clothing with sequins
Muir's designs were aimed towards the woman with a mature outlook, regardless of age. She avoided creating clothes for fantasy figures, but focused on modern, restrained elegance. She ignored the fads of high fashion design, but focused on creating a consistently evolving series of understated, sober clothes. She was a sensualist who cared about how her clothes felt to wear as well as how they looked to others. Muir placed pockets at hip level to encourage the wearer to hold her shoulders back confidently. She eliminated bust darts as she preferred to mould fabric rather than cut it. Her designs were intended to fit into a limited and integrated wardrobe, and to avoid distracting the wearer.
Despite being known to posterity almost exclusively for black dresses, her eye for colour was very definite. She favoured dark and deep blues, very dark greens, and heather-toned purples as well as intensely bright orange and deep saffron yellow. She was a perfectionist about her colours, working closely with fabric mills and dyers to achieve her ideal tones.
Muir has been described as bringing common sense to clothing design to the pitch of genius.Jane Mulvagh describes Muir clothes as being comfortable and effortless, and, "once donned, easily forgotten by the wearer but never the beholder."
Following her 1964 win whilst at Jane & Jane, Muir went on to win the Dress Of The Year award twice more. She won in 1968 for a ruffled white voile dress with black polka dots, and in 1979 for an ensemble comprising a black rayon jersey beret and dress worn with a black leather jacket. As with her 1964 design, these outfits are preserved at the Fashion Museum, Bath.
From 1985, the majority interest in Jean Muir Ltd. was held by the textile manufacturer Coats PLC. Muir regained ownership in 1989.
Muir was made a Fellow of the Chartered Society of Designers, and was a recipient of the Minerva Medal, the Society's highest award.
In 1984, she was awarded a CBE.
The company continued despite Jean Muir's death in 1995. Leuckert continued his directorship, while the designs were produced under the supervision of Joyce Fenton-Douglas and a group of four designers who had all formerly worked with Muir.
In 2004, the first Jean Muir Ltd. shop was opened on Conduit Street, London. It was managed by Leuckert's daughter Friederike.
On 19 January 2007, the directors announced that Jean Muir Ltd. would be closing down. Leuckert made a statement to the effect that he had hoped that they could take the retail route based on the success of the Conduit Street shop. This required substantial outside investment, but they had not been able to come to any agreement with interested parties. He further said:
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- "It is sad, but I believe this is the way Jean would have wanted it. I have, of course, had offers, but I do not want Jean's name to fall into the wrong hands and be mis-used. That would be horrendous and she would have hated it."
Unique yet understated |
Beautiful details |
Clean feminine cuts and bright colour |
Fashion sketch with fabric swatches Jean Muir 1975 |
Sketches by Jean Muir |
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